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Flipside – Elder Days
Flipside – The Magic Beans
From Flipside: Naxos Jazz 86013-2 [Buy]

Characterised by airy and open post-bop compositions, Flipside was a young quartet made up of New Zealanders Matt Penman (b) and Greg Tuohey (g), Irish drummer Darren Beckett and French saxophonist Jerome Sabbagh. They met in New York and worked together for several years in the late 1990s, recording one album together as a band.

The guys have moved on now to other projects – Darren Beckett has played with Kenny Wheeler. Greg Tuohey has a pop-rock band called Tennis. Sabbagh works on both sides of the Atlantic and leads his own quartet in New York. Matt Penman (featured on my recent Mark de Clive-Lowe post) has recently performed as part of the 2005 San Francisco Jazz Collective with Bobby Hutcherson, Nicholas Payton and Joshua Redman.

And if the audio tracks aren’t enough there are some links to two videos from a gig at a club in Belgium (where else?) from 2002 – Again and again and Vinas Lullaby. 30Mb each, but well worth the download.

Darn. This stuff is inspiring. Could I enthuse any more?

Eddie Palmieri – Justicia
From The Best of Eddie Palmieri: Declic/Globe B10032 [Buy]

Eddie Palmieri – Bouncer
From Palmas: Elektra Nonesuch 7559-61649-2 [Buy]

Pianist and composer Eddie Palmieri. The classic Justicia, and Bouncer from the insrumental album Palmas, featuring inter alia Brian Lynch (tp), Donald Harrison (as) and Conrad Herwig (tb).

Can I say …. Arrrrribaaa!

Don Cherry and John Coltrage – Cherryco
Don Cherry and John Coltrane – Bemsha Swing
From The Avant-Garde: Rhino/Atlantic 812279822 [Buy]

Few introductions are required here… John Coltrane and Don Cherry, recorded in New York in 1960. Ed Blackwell on drums, and Charlie Haden (Cherryco) and the late Percy Heath (Bemsha Swing) on bass. Compositions by Don Cherry and Thelonius Monk, respectively (and respectfully).

But enough superlatives. TrinityRoots released just two albums in their career, and I’ve selected one song from each.

Just Like You has a particular story behind it – it was recorded around a campfire (that’s the crackling you can hear) on a farm in the middle of the North Island – late in the evening of 11th September, 2001 New Zealand time. Just a few hours before the terrible events that unfolded on the East Coast of the United States.

Nathan Haines – Judge
From Soundkilla Sessions Volume 1: huh!/Polydor huh7 [OOP]

Nathan Haines – O Misterio
From Squire for Hire: Chillifunk 336622 [Buy]

Even the briefest survey of jazz music in New Zealand must, at some point, touch on Nathan Haines. A saxophonist and flautist by trade (and no mean singer either), Nathan has been portrayed as the nerdy kid at school who was hip before his time: listening to Coltrane, Miles Davis and Monk when his classmates were headbanging to Guns ‘n’ Roses.

His musical family (father Kevin is a bass player, and brother Joel is a respected guitarist and composer) was also probably a major factor in Nathan becoming the powerful musician he is today. Initially released just in New Zealand, Nathan’s 1995 debut Shift Left was picked up by Verve – not bad for the kid from Northcote College…

While cutting his chops playing straightahead bop, Mr Haines has always been interested in the melding of jazz and dance music. The two songs here mark steps along this road. Judge is from a 1998 album recorded live at nightclubs around Auckland (yes, this was definitely dance music). O Misterio features on 2003′s album Squire for Hire, recorded with Mark de Clive-Lowe and Phil Asher in London.

Today Nathan Haines splits his time between New Zealand and London. What is most exciting is that this guy has yet to make his definitive musical statement.

Mark de Clive-Lowe – Naisei
From Vision: Tap Records TAP004 [OOP]

Mark de Clive-Lowe – Hinde Hinde
From Manifesto Auckland Jazz Sampler: Tap Records TAPSR001 [OOP]

Half Kiwi, half Japanese, Mark de Clive-Lowe today lives in London and is a well established part of the nu-jazz/broken beat scene, working with artists such as Kaidi Tatham (Bugz in the Attic), DJ Spinna, and Sa-Ra. If you want to hear what he sounds like in 2005, his new album Tide’s Arising is well worth a listen.

But prior to establishing a reputation for killer jazz-influenced club tunes, Mr de Clive-Lowe had a previous incarnation in Auckland in the 1990s as a rather well-rounded acoustic jazz pianist, and one of the genuine movers and shakers of the musical community. Wherever Mark was, stuff happened – gigs got organised, funding got secured, record labels got started, jam sessions congealed.

Here’s some recordings from that time: Naisei with Matt Penman (b) and Nick McBride (d), displaying the influence from Keith Jarrett’s earliest trio work with Paul Motian and Charlie Haden. And then we go a little African with Hinde Hinde: the trio is joined by Phil Slater (t), Carl Dewhurst (g) and Ghanaian musicians Kojo Owusu and Nii Tettey Tetteh on percussion.

Kim Paterson – Mink
From Impending Journey: Tap Records TAP003 [OOP]

Kim Paterson – Impending Journey
From Manifesto Auckland Jazz Sampler: Tap Records TAPSR001 [OOP]

Kim Paterson, the elder statesman of Auckland’s jazz community, player of the game, teacher, trumpet player and drummer.

Kim’s been playing around New Zealand, Australia and the world since the 1950s, but didn’t record his first album as a leader until 1997: Impending Journey, on Mark de Clive-Lowe‘s shortlived Tap Records label. Even in New Zealand, these Tap Records releases are now very hard to find.

Fat Freddy’s Drop – Midnight Marauders
Fat Freddy’s Drop – Roady
From Live at WOMAD 2003 [Bootleg!]

Aotearoa. New Zealand. There’s 4 million of us at the bottom of the world, and some of us even play music.

So I’ll share a few examples of what we kiwis get up to when we get down. Wellington band Fat Freddy’s Drop has been around for almost five years. Reggae. Hip-Hop. Jazz. Dub. Dancehall. It’s all in their mix somewhere. Although they’ve just released their first full-length album this month, I’ve chosen a genuine (so-rare-I-know-everyone-who-has-a-copy) bootleg of their March 2003 gig at WOMAD in New Plymouth, New Zealand.

A perfect time-capsule of a great day out in the sun. If you want to hear more, listen to Gilles Peterson’s BBC show online, or buy their album Based on a True Story online.