Bill Shoemaker on improvised music
- Bill Shoemaker, June 2005 in Point of Departure
Vitamin S – First Trio, Part C Excerpt, 20th August 2004 [2'12]
Vitamin S – First Trio, Part C Excerpt, 20th August 2004 [2'12]
The collective’s musical influences range across virtually every kind of black music (jazz/soul/funk) as well as Latin and African musics. What impresses me most about this group is how they mix frankly DJ-oriented production/composition methods with some very intelligent live instrumental arrangements.
Nuspirit Helsinki – Afro-Cuban Sunshine
From Mundial Muzique (Various Artists): Guidance Recordings [Buy]
Nuspirit Helsinki featuring Nicole Willis – Honest
From Nuspirit Helsinki: Guidance Recordings [Buy]
Holy Crap It’s etnobofin’s First Birthday
I’ve just realised that I’ve been doing this for a year now. OK, it didn’t really start out as a music blog, but as etnobofin moved through its 6 month adolescent crisis, this blog’s destiny became clear… here’s to a second year of free parking! Thank you to everyone who continnue to visit and have faith in this little corner of Internetworld. And happy birthday to Benn loxo du taccu, the best blog on African music on the web.
And for all of us who stepped out of the spaceship at a young age to travel the world alone, Nick’s post on exchange students is great. It is all so true. It’s not the places you go, or how much you drink. It is always the people that make the journey memorable.
I’ve chosen two selections from Bertrami’s solo albums to illustrate his approach, recorded 18 years apart. Blue Wave was recorded in 1983, and Things are Different in 2001. Spot the difference.
Jose Roberto Bertrami – Partido Alto
From Blue Wave: Milestone M 9117 [Buy]
Jose Roberto Bertrami – Partido Alto 3
From Things are Different: Farout Recordings 053LP [Buy]
Today’s post is about a new musical project in Auckland – the Dominion Centenary Concert Band. The DCCB is a 7-piece ensemble of improvising musicians involved in the Vitamin S collective. (And yes, I play in it.)
DCCB’s instrumentation, stage appearance and repertoire is largely a
The format of DCCB performances revolves around “islands” of
Dominion Centenary Concert Band – Performance #1 , June 16th 2005
Our next gig is in Wellington on October 30th as part of the Wellington International Jazz Festival. I hope you enjoy the music, and I’d be interested in comments, whether positive, negative or bemused!
Evidence for above statements follow:
Carlos Actis Dato Quartet – Ababa
Carlos Actis Dato Quartet – Tarfaya
From Swingin’ Hanoi: Splasc(H) CDH907.2 [Buy]
Oh, and if you think space stuff is cool, check out NASA’s new spaceship.
Anyway, it’s been a fairly eventful 24 hours here in little ol’ New Zealand. It looks like we’ve retained a Labour-led social democrat government, by the skin of our teeth. 23,000 votes separated the two major parties nationwide. It was very close.
And more bizarrely, somebody tried to fly a stolen aeroplane into Auckland’s Sky Tower last night, in the middle of the election. This sort of thing doesn’t happen very often in New Zealand. It was certainly a little scary and confusing when the news started filtering through to the gig I was playing last night.
To lighten the mood, here’s Maceo Parker (as), Fred Wesley (tb), Pee Wee Ellis (ts), Rodney Jones (gt), Larry Goldings (org), Kenwood Dennard (d), Candy Dulfer (as) and Kym Mazelle (vox), performing in Köln in March 1992.
Maceo Parker – Soul Power ’92 (14’13)
From Life on Planet Groove: Verve 214 517 197-2 [Buy]
And in other positive news, Ubuweb is back up and running ! And Hubert de Lartigue shows us how to make X-Wings out of Paris metro tickets (the photos are cool, and there are instructions in English and en français).
Great blog posts combined with internet access in the office can make for a dangerous mix. After reading Rushan’s post today, I had to rapidly dry my eyes (really) and pull myself together again before heading into a meeting! Perhaps luckily (or not?) nobody spotted the brief lowering of my at-the-office mask and I was soon back talking about the importance of consistent branding and recommending a programme of ongoing background media outreach.
Rushan is exploring the unpredictable and sometimes massive implications of even our tiniest actions on the lives of others. If you think too long about this, you can freak out. I’m sure for most people looking back at their lives so far, the “what if” scenarios are endless and sometimes frightening. I guess we need to learn to be more conscious of the way we treat others and ourselves, for even the most insignificant act can have far-reaching effects on others. The butterfly flaps its wings in Brazil…
In no particular order, here are some thoughts that kind of all link back to this theme.
Go to Finland
It was early in 2001. An endless European winter and the pressure of finishing my Honours dissertation 12,000km from my university conspired to get me a bit depressed. I was thinking about heading home immediately at the end of my employment contract in France. Mum phones me. She convinces me to stay a while longer, tells me that I should go and visit some friends of hers in Finland. The trip to Vaasa later that spring turns into 3 wonderful weeks on trains and ferries around Nordic Europe. I cross the Arctic Circle, see the Midnight Sun. I come home to New Zealand a month later than planned, just in time to fall into a temporary job opening that convinces me that I shouldn’t go to Journalism School. The temporary job becomes very, very permanent. I learn about the importance of consistent branding, and a random guy gets hold of me at work one day and asks if I’d like to join a funk band.
When Mum called me long distance in 2001 to kick me out of my rut, she would have no idea that her conversation would mean that I wouldn’t become a journalist, that it would lead me to local funk scene stardom (haha), or that it would cause me to sit in a meeting today making a business case for an ongoing programme of media outreach. In fact, she still doesn’t know how that conversation shifted my life sideways. Maybe I should tell her sometime.
Little Things
Yes, there is some music today. The boys from Trinity Roots keep coming through for me, and I thought that this song was particularly appropriate.
Trinity Roots – Little Things
From True: Independent/TR_02 [Buy]
Please please please check in mine eyes
For I and I have nothing to hide
As I wipe the slate clean, share this with you
Take on my own, the pain of your soul
It’s the little things
That really matter
These fine fine lines, make for trying times
And trying times, make you strong
You take your strength, pass it around
Pass it around and then move on
It’s the little things
That really matter
© 2002 Trinity Roots
Making a Difference
Tomorrow is polling day in New Zealand’s General Election. I’ll be doing my bit by voting against what I see as fear, ignorance and greed. I know people who have chosen not to vote tomorrow, thinking that it won’t make a difference. I hope they’ll change their mind tomorrow morning and turn out cause their own tiny ripple in the grand scheme…
“Never doubt that a small group of thoughtful citizens can change the world. Indeed, it is the only thing that ever has.” – Margaret Mead, anthropologist
Seeing Earth as viewed by a passing spacecraft put me in a strange mood. It was almost like stepping out of ourselves, and getting a glimpse what a visitor from elsewhere might see. Our planet is so small… we are so insignificant. This thought has struck me previously in a different form.
My initial thoughts for a soundtrack to this short movie was Sting’s Fragile, but in the end I selected a song by Beck. Charlie Haden plays bass on this track, in case anyone cares…
Beck – Ramshackle
From Odelay: Geffen 24926 [Buy]
Herbie Hancock Quartet – Clear Ways
From Quartet: Columbia CGK 38275 [Buy]
Wynton Marsalis Quartet – My Ideal
From Think of One: Columbia CK 38641 [Buy]
Rambunctious and confident, E.S.P. was recorded at the 1972 Philharmonic Hall concert. We hear solos from Lee Konitz (as), Lonnie Hillyer (tp), Gerry Mulligan (bs) and Charles McPherson (as). The back-announcement is by Bill Cosby, who was M.C. for the evening.
I like to think that Please Don’t Come Back from the Moon is Mingus’ acerbic response to the bouncy optimism of Bart Howard’s Fly Me to the Moon. Solos are by Richard Williams (tp), Jaki Byard (pn), Zoot Sims (ts) and Charlie Mariano (as). The tune was the final “planned” tune recorded at the 1962 Town Hall concert, and ends suddenly during Mariano’s solo as Mingus was given a signal to wrap the gig up before union overtime kicked in at midnight…
Charles Mingus Orchestra – E.S.P.
From Charles Mingus and Friends in Concert : Columbia C2K 64975 [Buy]
Charles Mingus Orchestra – Please Don’t Come Back from the Moon
From The Complete Town Hall Concert : Blue Note 28353 2 5 [Buy]
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