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	<title>Comments on: Our revels now are ended.</title>
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	<link>http://www.richardcotman.com/etnobofin/2009/06/our-revels-now-are-ended/</link>
	<description>A Kiwi in Paris, sweating on the metro</description>
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		<title>By: Sigurdór</title>
		<link>http://www.richardcotman.com/etnobofin/2009/06/our-revels-now-are-ended/comment-page-1/#comment-754</link>
		<dc:creator>Sigurdór</dc:creator>
		<pubDate>Mon, 03 Aug 2009 02:13:32 +0000</pubDate>
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		<description>Good writing and spot on! 

I think we need to mention on more person to the success of Jackson&#039;s best albums, and that&#039;s Bruce Swedien (which of course brings us back to Quincy Jones I guess! :p)</description>
		<content:encoded><![CDATA[<p>Good writing and spot on! </p>
<p>I think we need to mention on more person to the success of Jackson&#8217;s best albums, and that&#8217;s Bruce Swedien (which of course brings us back to Quincy Jones I guess! :p)</p>
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		<title>By: Matt</title>
		<link>http://www.richardcotman.com/etnobofin/2009/06/our-revels-now-are-ended/comment-page-1/#comment-720</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Thu, 16 Jul 2009 23:04:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.richardcotman.com/etnobofin/?p=2940#comment-720</guid>
		<description>very well done. thanks for sharing this.
given Michael&#039;s voice, unbelievable dancing ability, phenomenal showmanship, charisma and mega-star potential as a solo artist post-Jackson 5, he clearly would&#039;ve been big even if he had hooked up with a series of other (and lesser) producers between &#039;78 and &#039;87.  But it &lt;i&gt;is&lt;/i&gt; a bit hard to imagine his being catapulted into the superstar stratosphere without Quincy&#039;s brilliant production and the &lt;i&gt;sound&lt;/i&gt; of &quot;Don&#039;t Stop Til You Get Enough&quot; &quot;Rock With You,&quot; and, of course, &quot;Thriller&quot; and &quot;Billie Jean.&quot;

Course i grew up with Michael as the lead singer of the Jackson 5, wearing out a vinyl 45 of &quot;I Want You Back&quot; as a little kid. And I was a jazz snob during the &lt;i&gt;Off The Wall&lt;/i&gt; -&gt; &lt;i&gt;Bad&lt;/i&gt; years.  But, having grown up with a household full of Quincy Jones&#039; own &#039;70s albums, I couldn&#039;t get enough (and didn&#039;t stop) as Michael &amp; Quincy made history.  r.i.p. MJ</description>
		<content:encoded><![CDATA[<p>very well done. thanks for sharing this.<br />
given Michael&#8217;s voice, unbelievable dancing ability, phenomenal showmanship, charisma and mega-star potential as a solo artist post-Jackson 5, he clearly would&#8217;ve been big even if he had hooked up with a series of other (and lesser) producers between &#8217;78 and &#8217;87.  But it <i>is</i> a bit hard to imagine his being catapulted into the superstar stratosphere without Quincy&#8217;s brilliant production and the <i>sound</i> of &#8220;Don&#8217;t Stop Til You Get Enough&#8221; &#8220;Rock With You,&#8221; and, of course, &#8220;Thriller&#8221; and &#8220;Billie Jean.&#8221;</p>
<p>Course i grew up with Michael as the lead singer of the Jackson 5, wearing out a vinyl 45 of &#8220;I Want You Back&#8221; as a little kid. And I was a jazz snob during the <i>Off The Wall</i> -&gt; <i>Bad</i> years.  But, having grown up with a household full of Quincy Jones&#8217; own &#8217;70s albums, I couldn&#8217;t get enough (and didn&#8217;t stop) as Michael &amp; Quincy made history.  r.i.p. MJ</p>
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