It’s exciting to hear new music from a close musical collaborator and friend – Richie Setford was the éminence grise and main creative force behind one million dollars, a band to which my life was tied for a big chunk part of the last decade.
Now Richie has released his first full album as a solo artist: The Dusty Dream Hole is released under his nom de scène Bannerman. Sonically, the departure from our one million dollars adventure couldn’t be more dramatic:
The offspring of several years gestation, The Dusty Dream Hole could be described as broadly cinematic… the album encompasses lilting ballads and sharp-edged, distorted dreamscapes that you wouldn’t wish on your worst enemy: from the headlong jangle of My Quarantine to the glistening lounge-pop that adorns Caverns.
Richie’s musical interests and songwriting have always stretched a long way beyond the funk and soul of the one million dollars project. I was lucky enough to work with him in some smaller settings – both gigs and in various bedroom and lounge jam sessions – where Richie’s gift for melody and gently twisted song-stories could be taken outside what could be interpreted by an 11-piece groove band. In some important ways, The Dusty Dream Hole sounds to me like the logical outflow of those explorations.
The textures that fill Dream Hole reflect for me the years Richie has spent in the studio with various bands . Like a population of goblins poking their impudent heads out of hollow logs, the album is replete with chunky guitars, strings, folk harmonies, horns and stripped-back drums.
Most pleasingly, and perhaps for the first time, we get to hear Richie’s full range as a vocalist – his Tom Waits growl on Deep in the Forest is quite arresting.
Of course, my thoughts on Bannerman can never be objective. I know the musicians involved too well and – to some limited extent – I heard the origins of this music as it took shape in flats in Western Springs and Kingsland in mid-noughties Auckland. I hope however that this album gets out to a wider audience – not just because I count Richie as a friend, but because his musical vision deserves to be shared.