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	<title>etnobofin &#187; charlie haden</title>
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	<description>A Kiwi in Paris, sweating on the metro</description>
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		<title>Three-Way Dialogue</title>
		<link>http://www.richardcotman.com/etnobofin/2009/05/three-way-dialogue-keith-jarrett-paul-motian-charlie-haden/</link>
		<comments>http://www.richardcotman.com/etnobofin/2009/05/three-way-dialogue-keith-jarrett-paul-motian-charlie-haden/#comments</comments>
		<pubDate>Wed, 13 May 2009 16:20:46 +0000</pubDate>
		<dc:creator>Richard</dc:creator>
				<category><![CDATA[Europe]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[USA]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[charlie haden]]></category>
		<category><![CDATA[hamburg]]></category>
		<category><![CDATA[keith jarrett]]></category>
		<category><![CDATA[paul motian]]></category>
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		<description><![CDATA[This is about as good as it gets &#8211; Keith Jarrett (pn), Charlie Haden (b) and Paul Motian (d) live in Hamburg in 1972. It&#8217;s an object lesson in how musicians should interact: an economy of ideas with no raised voices. Texture in tranquility. 
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			<content:encoded><![CDATA[<p>This is about as good as it gets &#8211; <a href="http://www.allaboutjazz.com/php/musician.php?id=7984">Keith Jarrett</a> (pn), <a href="http://www.charliehadenmusic.com/">Charlie Haden</a> (b) and <a href="http://en.wikipedia.org/wiki/Paul_Motian">Paul Motian</a> (d) live in Hamburg in 1972. It&#8217;s an object lesson in how musicians should interact: an economy of ideas with no raised voices. Texture in tranquility. </p>
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		<title>Mood Piece</title>
		<link>http://www.richardcotman.com/etnobofin/2005/09/mood-piece/</link>
		<comments>http://www.richardcotman.com/etnobofin/2005/09/mood-piece/#comments</comments>
		<pubDate>Wed, 14 Sep 2005 07:01:00 +0000</pubDate>
		<dc:creator>Richard</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[USA]]></category>
		<category><![CDATA[beck]]></category>
		<category><![CDATA[charlie haden]]></category>
		<category><![CDATA[fragile]]></category>
		<category><![CDATA[messenger]]></category>
		<category><![CDATA[nasa]]></category>
		<category><![CDATA[odelay]]></category>
		<category><![CDATA[ramshackle]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[sting]]></category>

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		<description><![CDATA[I was sent this movie yesterday by a friend &#8211; it&#8217;s a video of images taken by the NASA Messenger probe as it flew by Earth in August, on its gravity-assisted path to Mercury. Seeing Earth as viewed by a passing spacecraft put me in a strange mood. It was almost like stepping out of [...]]]></description>
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<div style="text-align: left;">I was sent <a href="http://s5.yousendit.com/d.aspx?id=36S6U097OFE3I015KM7CZ4SIJ4">this movie</a> yesterday by a friend &#8211; it&#8217;s a video of images taken by the <a href="http://messenger.jhuapl.edu/">NASA Messenger probe</a> as it flew by Earth in August, on its gravity-assisted path to Mercury.</p>
<p>Seeing Earth as viewed by a passing spacecraft put me in a strange mood. It was almost like stepping out of ourselves, and getting a glimpse what a visitor from elsewhere might see. Our planet is so small&#8230; we are so insignificant. This thought has <a href="http://etnobofin.blogspot.com/2005/02/spinning-in-infinity.html">struck me previously</a> in a different form.</p>
<p>My initial thoughts for a soundtrack to this short movie was <a href="http://www.sting.com/home.php">Sting&#8217;s</a> <span style="font-style: italic;">Fragile</span>, but in the end I selected a song by Beck.  Charlie Haden plays bass on this track, in case anyone cares&#8230;<br />
<a href="http://s5.yousendit.com/d.aspx?id=36S6U097OFE3I015KM7CZ4SIJ4"></a><br />
Beck &#8211; Ramshackle<br />
From <span style="font-style: italic;">Odelay</span>: Geffen 24926 <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B000003TBP/qid=1126682050">[Buy]</a></div>
<p><a href="http://photos1.blogger.com/img/37/1835/640/h_messenger_earthflyby_02.jpg"><img style="border: 1px solid #000000; margin: 2px;" src="http://photos1.blogger.com/img/37/1835/320/h_messenger_earthflyby_02.jpg" border="0" alt="" /></a></div>
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		<title>Keith Jarrett: American Quartet Part I</title>
		<link>http://www.richardcotman.com/etnobofin/2005/06/keith-jarrett-american-quartet-part-i/</link>
		<comments>http://www.richardcotman.com/etnobofin/2005/06/keith-jarrett-american-quartet-part-i/#comments</comments>
		<pubDate>Sat, 25 Jun 2005 23:15:00 +0000</pubDate>
		<dc:creator>Richard</dc:creator>
				<category><![CDATA[jazz]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[USA]]></category>
		<category><![CDATA[american quartet]]></category>
		<category><![CDATA[charlie haden]]></category>
		<category><![CDATA[keith jarrett]]></category>

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		<description><![CDATA[A new series starts today, highlighting the work of Keith Jarrett&#8217;s American Quartet. &#8220;From 1971 to 1976, Jarrett led the American &#8220;Quartet&#8221;, along with drummer Paul Motian, reedman Dewey Redman and bass player Charlie Haden. The group was often supplemented by one or two percussionists and recorded about a dozen albums for Atlantic Records, Columbia [...]]]></description>
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<div style="text-align: left;">A new series starts today, highlighting the work of Keith Jarrett&#8217;s American Quartet.</p>
<p>&#8220;<em style="font-style: italic;">From 1971 to 1976, Jarrett led the American &#8220;Quartet&#8221;, along with drummer Paul Motian, reedman Dewey Redman and bass player Charlie Haden. The group was often supplemented by one or two percussionists and recorded about a dozen albums for Atlantic Records, Columbia Records, Impulse! and ECM&#8230;. </em><span style="font-style: italic;">Jarrett&#8217;s compositions and the strong musical identities of the group members gave this group a very distinct sound. The group&#8217;s music was an interesting and exciting amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic Middle-Eastern-sounding improvisations.</span>&#8221;<br />
- from <a href="http://en.wikipedia.org/wiki/Keith_Jarrett">Wikipedia</a></p>
<p>And here are two tunes to accompany the small warmth provided by the winter sun over Auckland today.  <span style="font-style: italic;">Birth</span> dates from 1972, <span style="font-style: italic;">Everything that Lives Laments</span> is from 1975: both tunes were recorded in New York.</p>
<p>Keith Jarrett Quartet &#8211; Birth<br />
From <span style="font-style: italic;">Birth</span>: Wounded Bird Records WOU 1612 <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B000055XTS/qid=1119741720">[Buy]</a></p>
<p>Keith Jarrett Quartet &#8211; Everything that Lives Laments (Take 6) &#8211; 15mins<br />
From <span style="font-style: italic;">Mysteries: The Impulse Years 1975-76</span>: Impulse IMPD-4-189 <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B000003N8H/qid=1119741786">[Buy]</a></div>
<p><a href="http://photos1.blogger.com/img/37/1835/640/haden2.jpg"><img style="border: 1px solid #000000; margin: 2px;" src="http://photos1.blogger.com/img/37/1835/320/haden2.jpg" border="0" alt="" /></a></div>
<div style="text-align: center;">Charlie Haden</div>
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