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	<title>etnobofin &#187; journalism</title>
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	<description>A Kiwi in Paris, sweating on the metro</description>
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		<title>Iceland: Elves or Economics?</title>
		<link>http://www.richardcotman.com/etnobofin/2009/03/iceland-elves-or-economics-credit-crunch-vanity-fair/</link>
		<comments>http://www.richardcotman.com/etnobofin/2009/03/iceland-elves-or-economics-credit-crunch-vanity-fair/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 19:32:48 +0000</pubDate>
		<dc:creator>Richard</dc:creator>
				<category><![CDATA[Current Affairs]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[credit crunch]]></category>
		<category><![CDATA[economics]]></category>
		<category><![CDATA[elves]]></category>
		<category><![CDATA[Huldufólk]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[michael lewis]]></category>
		<category><![CDATA[orientalism]]></category>
		<category><![CDATA[taniwha]]></category>
		<category><![CDATA[vanity fair]]></category>

		<guid isPermaLink="false">http://www.richardcotman.com/etnobofin/?p=2159</guid>
		<description><![CDATA[As a riveting piece of writing, you can barely fault the article on Iceland after the credit crunch in the April edition of Vanity Fair. Michael Lewis&#8217; feature contains anecdotes of drama and pathos, an account of a testy interview with outgoing Prime Minister Geir Haarde, as well as nuggets of wisdom unearthed before and [...]]]></description>
			<content:encoded><![CDATA[<p>As a riveting piece of writing, you can barely fault the article on <a href="http://www.vanityfair.com/politics/features/2009/04/iceland200904">Iceland after the credit crunch</a> in the April edition of <em>Vanity Fair</em>. Michael Lewis&#8217; feature contains anecdotes of drama and pathos, an account of a testy interview with outgoing Prime Minister <a href="http://en.wikipedia.org/wiki/Geir_H._Haarde">Geir Haarde</a>, as well as nuggets of wisdom unearthed before and after the crash. It&#8217;s a recommended read.</p>
<p style="text-align: center;"><img class="aligncenter" src="http://farm2.static.flickr.com/1143/539565210_6372fe19d7.jpg?v=0" alt="" /></p>
<p style="text-align: center;"><em>Skaters in Reykjavik in winter (Photo: <a href="http://www.flickr.com/photos/stuckincustoms/">Stuck in Customs</a>. Creative Commons.)</em></p>
<p><em></em></p>
<p>But I worry that Lewis, in his lucid account of <a href="http://www.guardian.co.uk/world/2008/oct/10/iceland-banking">what went wrong</a> in one of the richest countries on the planet, has indulged in a little amateur anthropology along the way. Take this passage, for instance, on gender relations:</p>
<p><em>&#8220;I note a slight tension at any table where Icelandic men and Icelandic women are both present. The male exhibits the global male tendency not to talk to the females—or, rather, not to include them in the conversation—unless there is some obvious sexual motive. But that’s not the problem, exactly. Watching Icelandic men and women together is like watching toddlers. They don’t play together but in parallel; they overlap even less organically than men and women in other developed countries, which is really saying something&#8230;.&#8221;</em></p>
<p>And elsewhere, a passage that could have been cited as evidence of colonial arrogance in Edward Said&#8217;s <em><a href="http://en.wikipedia.org/wiki/Orientalism_(book)">Orientalism</a></em> &#8211; a direct comparison of Icelanders to wild beasts:</p>
<p><em>&#8220;We assume </em>[Icelanders]<em> are more or less Scandinavian—a gentle people who just want everyone to have the same amount of everything. They are not. They have a feral streak in them, like a horse that’s just pretending to be broken.&#8221;</em></p>
<p style="text-align: center;"><img class="aligncenter" src="http://farm3.static.flickr.com/2298/1518470046_d26481d2e9.jpg?v=0" alt="Iceland Haukadalur" /></p>
<p style="text-align: center;"><em>Haukadalur, Iceland (Photo: <a href="http://www.flickr.com/photos/taivasalla/">taivasalla</a>. Creative Commons)</em></p>
<p>I wonder if this tendency to describe the Icelanders as somehow &#8220;other&#8221; or &#8220;exotic&#8221; is a way (conscious or unconscious) to make <em>VF</em>&#8216;s mainly American readership feel slightly better about their own economic predicament: &#8220;yes, we&#8217;re in the shit, but look at that naïve bunch of fisherfolk from a quaint country we&#8217;ve barely heard of &#8211; at least we weren&#8217;t as foolish as them&#8221;.</p>
<p>Lewis&#8217; exploration of the arcana of Icelandic culture reaches its apotheosis in his account of how <a href="http://en.wikipedia.org/wiki/Alcoa">Alcoa</a> needed to certify its building site in Iceland &#8220;elf-free&#8221; in 2004 before it could commence construction of an aluminium smelter. A picturesque episode, but not substantiated or sourced.</p>
<p>Despite a <a href="http://www.google.co.uk/search?hl=en&amp;q=iceland+alcoa+aluminium+elf+elves&amp;btnG=Search&amp;meta=">long Google search</a>, I can&#8217;t find any reference on the web to this event, except for Lewis&#8217; own article. Even <a href="http://en.wikipedia.org/wiki/Hulduf%C3%B3lk">Wikipedia&#8217;s article on Huldufólk</a> uses <em>Vanity Fair</em> as its source.  Lewis was probably told this story in good faith, but this is how urban myths are born.</p>
<p>Of course, New Zealand has also been the scene of sniggering over the supernatural &#8211; in 2002 parts of the world media picked up on a story about a <a href="http://www.nzherald.co.nz/nz/news/article.cfm?c_id=1&amp;objectid=3003401">taniwha (a river-dwelling monster/spirit) that stopped work on a major highway project</a>.  The real event, as recounted in <a href="http://www.landcareresearch.co.nz/publications/researchpubs/FinalMeremere_Roadingcasestudy.pdf">this report</a>, was a more prosaic story of relations between a local community and a government department.</p>
<p style="text-align: center;"><img class="aligncenter" src="http://farm3.static.flickr.com/2136/1874198276_527be6e9b9.jpg?v=0" alt="" /></p>
<p style="text-align: center;"><em>Near Akureyi (Photo: <a href="http://www.flickr.com/photos/stuckincustoms/">Stuck in Customs</a>. Creative Commons)</em></p>
<p>When Michael Lewis writes about the recent economic history of Iceland, he tells a clear and compelling story. His précis of H. Scott Gordon&#8217;s 1954 <a href="http://www.econ.ubc.ca/munro/472gord.pdf">treatise on the economics of fisheries</a> is actually fascinating. His interviews with British, Icelandic and American economists are enlightening and pertinent. I just wish he&#8217;d left the elves and wild vikings out of it.</p>
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		<title>Ways of Seeing Afghanistan</title>
		<link>http://www.richardcotman.com/etnobofin/2008/10/ways-of-seeing-afghanistan/</link>
		<comments>http://www.richardcotman.com/etnobofin/2008/10/ways-of-seeing-afghanistan/#comments</comments>
		<pubDate>Sat, 25 Oct 2008 12:38:31 +0000</pubDate>
		<dc:creator>Richard</dc:creator>
				<category><![CDATA[Current Affairs]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[USA]]></category>
		<category><![CDATA[afghanistan]]></category>
		<category><![CDATA[guardian]]></category>
		<category><![CDATA[john d mchugh]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[nbc]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[violinsolider]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://aconsiderablespeck.org/etno/?p=85</guid>
		<description><![CDATA[One of the more fascinating features of the Guardian online over the past few months has been the regular contributions of photojournalist John D. McHugh. McHugh is spending 6 months with the US 173rd Airborne in Afghanistan (it&#8217;s his third &#8220;tour&#8221; in Afghanistan &#8211; what a way to make a living). McHugh&#8217;s work is insightful [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">One of the more fascinating features of the <a href="http://www.guardian.co.uk/"><em>Guardian</em> online</a> over the past few months has been the regular contributions of photojournalist <strong><a href="http://www.johndmchugh.com/">John D. McHugh</a></strong>. McHugh is <a href="http://www.guardian.co.uk/world/sixmonthsinafghanistan">spending 6 months with the US 173rd Airborne</a> in Afghanistan (it&#8217;s his third &#8220;tour&#8221; in Afghanistan &#8211; what a way to make a living). McHugh&#8217;s work is insightful and moving, and I hope he gains some recognition for it.</p>
<p style="text-align: center;"><img class="aligncenter" src="http://farm4.static.flickr.com/3053/2840897850_76ca5b78bd.jpg?v=0" alt="" /></p>
<p style="text-align: left;">Despite being embedded with an American military unit, McHugh&#8217;s photos and stories comes across as stark and factual, and are all the more engaging because they effectively communicate some of the grim reality of war for the Afghan people as well as the western soldiers stationed there.</p>
<p style="text-align: left;">McHugh makes a honest attempt to remain objective, whether he is documenting the <a href="http://www.guardian.co.uk/world/2008/may/20/afghanistan.sixmonthsinafghanistan">days of boredom and minutes of terror</a> for soldiers sitting in a mountain outpost, or the <a href="http://www.guardian.co.uk/world/video/2008/jun/11/afghanistan.johndmchugh">real communication challenges</a> faced by local Afghan citizens and US soldiers.</p>
<p style="text-align: left;">
<p style="text-align: left;">McHugh&#8217;s approach to war journalism is an interesting contrast to the <a href="http://www.msnbc.msn.com/id/3032619/#27304836">recent coverage by NBC</a>, whose camera team was in-and-out of the country in one week, (they were heading onwards to Baghdad). and whose presence <a href="http://www.electricpolitics.com/2008/10/military_reality_tv.html">may have contributed</a> to the friendly-fire death of a US soldier.</p>
<p style="text-align: center;"><img class="aligncenter" src="http://farm1.static.flickr.com/66/194186882_5f977db0ff.jpg?v=0" alt="Violin Soldier" /></p>
<p style="text-align: center;">Photo by <a href="http://www.flickr.com/photos/violinsoldier/">Violinsoldier</a></p>
<p style="text-align: left;">But perhaps some of the most insightful images of the Afghanistan conflict have been taken by soldiers themselves. <a href="http://www.flickr.com/photos/violinsoldier/sets/72157594191572294/"><strong>Violinsoldier&#8217;s</strong> images</a> on Flickr are a fascinating mix of beauty and mundanity: photos of his <a href="http://www.flickr.com/photos/violinsoldier/182303687/in/set-72157594191572294/">MRE meal-packs</a> sit next to <a href="http://www.flickr.com/photos/violinsoldier/170886803/in/set-72157594191572294/">candid snaps of local people </a>taken while on patrol.</p>
<p style="text-align: left;">Currently the internet provides ready access to a western view on this conflict. Hopefully in the long term (if you believe the debatable supposition that the situation in Afghanistan can be improved), more local voices and images will be seen and heard around the world.</p>
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