Psalm 23 (for Toby) (arr. Rowley)
Performed by the King’s School Chapel Choir – Auckland, NZ, November 1991

Back when the world was a little younger than it is now, I sang in the chapel choir at my prep school. Recently, an mp3 conversion of a 1991 recording of the choir (complete with tape hiss) has fallen into my hands. Hearing this music again provoked reflection on an important phase in my musical education.

Surprisingly, 18 years later, the cassette doesn’t entirely make me cringe. We were a pretty decent choir – nowhere near the standard of King’s Cambridge, but entirely respectable for a bunch of 10-to-13 years olds. A few flat kiwi vowels rather ruin the Latin of Fauré’s Ave Verum; the phrasing and timing of consonants is a little haphazard, but overall, it’s nothing to be ashamed of.

It’s strange knowing that all those unbroken voices now belong to men who are fathers, engineers, lawyers, marketing lecturers and dentists, living in half a dozen countries. One of us has even served tours of duty in Afghanistan. At one time we were all choristers.

My four years in the choir were entirely formative. First of all, we learned performance discipline. We had four 8am rehearsals on weekday mornings, and four sung services a week (3 weekday chapels and 1 Sunday service), all year outside school holidays. In later musical projects, that sense of committment remains: if you’re in the band, you’re part of a team: turn up to rehearsals, and do the gigs. No excuses.

Benjamin Britten – There is no rose from Ceremony of Carols (Op.28)
Performed by the King’s School Chapel Choir – Auckland, NZ, November 1991

For me, one piece we performed stood out from the rest of our repertoire – Britten’s There is no rose from his Ceremony of Carols. It sounded deep and ancient, a hint of a wider musical world that we might encounter in years to come. At 13 years old, singing Britten somehow seemed serious work, like we were actually performing real music, whatever that was.

Hindsight is treacherous. The imagination has a habit of creating links to the past that perhaps aren’t there. But I can’t help believing that a big part of my love for music finds its roots in endless winter mornings spent in chapel, all those vocal exercises, the routine of robing and the inexorable rhythm of the Book of Common Prayer.

We probably didn’t completely appreciate what we were doing at the time, but almost two decades later, all that singing starts to make sense.

Stephen Sondheim – Send in the Clowns
Performed by the King’s School Chapel Choir – Auckland, NZ, November 1991